| 1811 | Bassoon Concerto in F major, op. 75 | Potwierdzone | 18' |
| 1811 | Clarinet Concertino in E-flat major, op. 26 | Potwierdzone | 9' |
| 1811 | Clarinet Concerto No. 1 in F minor, op. 73 | Potwierdzone | 22' |
| 1811 | Clarinet Concerto No. 2 in E-flat major, op. 74 | Potwierdzone | 23' |
| 1821 | Konzertstück in F minor, op. 79 | Potwierdzone | 17' |
| 1821 | Overture to Der Freischütz | Potwierdzone | 10' |
| 1823 | Overture to Euryanthe | Potwierdzone | 8' |
| 1826 | Overture to Oberon | Potwierdzone | 9' |
| 1841 | Invitation to the Dance (orch. Berlioz) | Potwierdzone | 9' |
| — | Abu Hassan, J. 106: Overture | nieokr. | — |
| — | Andante e Rondo Ungarese, op. 35 / J. 158 | Potwierdzone | — |
| — | Concertino for Horn in E minor, J. 188 / op. 45 | nieokr. | — |
| — | Concerto in B-flat major | nieokr. | — |
| — | Der Beherrscher der Geister (Ruler of the Spirits) Overture, J. 122/op. 27 | nieokr. | — |
| — | Der Freischütz, J. 277 | nieokr. | — |
| — | Der Freischütz, J. 277: Overture | Potwierdzone | — |
| — | Jubel Overture, J. 245/op. 59 | nieokr. | — |
| — | Missa Sancta No. 1 in E-flat major, op. 75a / J. 224 · chór | Potwierdzone | — |
| — | Missa Sancta No. 2 in G major, J. 251/op. 76 “Jubelmesse” · chór | Potwierdzone | — |
| — | Peter Schmoll, J. 8: Overture | nieokr. | — |
| — | Preciosa: Incidental Music, J. 279: Overture | nieokr. | — |
| — | Scene and Aria for Atalia: Misera me, J. 121 | Potwierdzone | — |
| — | Scene and Aria: Ah, se Edmondo (Ha! sollte Edmund selbst der Morder sein?), J. 178/op. 52 [for insertion in Mehul’s opera Helena] | Potwierdzone | — |
| — | Scene and Aria: Was sag' ich Schaudern macht mich der Gedanke!, J. 239/op. 56 [for Cherubini’s opera Lodoiska] | Potwierdzone | — |
| — | Silvana, J. 87: Overture | nieokr. | — |
| — | Symphony No. 1 in C major, op. 19/J. 50 | Potwierdzone | — |
| — | Symphony No. 2 in C major, J. 51 | Potwierdzone | — |
| — | Turandot Incidental Music, op. 37 / J. 75: Overture and March | nieokr. | — |
| — | Waltz in D major for Strings | nieokr. | — |