Composer
1895–1963 · German
47 catalogued orchestral works — all with instrumentation confirmed against a source.
| Year | Work | Instrumentation | Dur. |
|---|---|---|---|
| 1916 | Lustige Sinfonietta, op. 4 | 2[1.2/pic] 3[1.2.eh] 2 3[1.2.cbn] — 2 2 0 0 — perc(3) — str[8.6.6.6.4] | 29' |
| 1917 | Drei Gesänge, op. 9 (Three Songs, voice and orchestra) | 3[1.2.3/pic] 3[1.2.eh] 3[1.2.3/Ebcl] 3[1.2.3/cbn] — 8 4 3 1 — tmp+perc — 2hp — str | 18' |
| 1919 | Mörder, Hoffnung der Frauen, op. 12 (complete opera) · opera | 3[1.2.3/pic] 3[1.2.eh] 3[1.2.bcl] 3[1.2.cbn] — 6 4 3 1 — tmp+perc — 2hp — str | 24' |
| 1920 | Das Nusch-Nuschi, op. 20 (puppet play for Burmese marionettes, complete opera) · opera | 2[1/pic.2/pic] 3[1.2.eh] 4[1.Ebcl.bcl] 3[1.2.cbn] — 2 2 3 1 — tmp+perc — mandolin, hp — cel — str | 60' |
| 1921 | Ragtime (wohltemperiert) | 3[1/pic.2/pic.3] 2 3[1/Ebcl.2/Ebcl.3] 2 — 4 2 3 1 — perc(4) — str | 4' |
| 1921 | Sancta Susanna, op. 21 (complete opera) · opera | 2 3[1.2.eh] 4[1.Ebcl.bcl] 3[1.2.cbn] — 4 2 3 1 — tmp+perc — hp — cel — str | 25' |
| 1922 | Kammermusik No. 1 mit Finale 1921, op. 24 no. 1 | 1[fl/pic] 0 1 1 — 0 1 0 0 — perc(1) — accordion(or harmonium), pf — str[1.1.1.1.1] | 16' |
| 1923 | Klaviermusik mit Orchester (Piano Music with Orchestra, left hand), op. 29 | 2[1.2/pic] 3[1.2.eh] 4[1.Ebcl.bcl] 2 — 2 2 3 0 — perc(4) — str | 18' |
| 1925 | Concerto for Orchestra, op. 38 | 2[1.2/pic] 2 3[1.Ebcl.bcl] 3[1.2.cbn] — 3 2 2 1 — tmp+5 — str | 12' |
| 1925 | Kammermusik No. 3 for Violoncello and Ten Solo Instruments, op. 36 no. 2 | 1[fl/pic] 1 1[cl/Ebcl] 1 — 1 1 1 0 — str[1.0.0.1.1] | 17' |
| 1925 | Kammermusik No. 4 for Violin and Large Chamber Orchestra, op. 36 no. 3 | 2[pic.pic] 0 2[Ebcl.bcl] 2[1.cbn] — 0 1[crt] 1 1 — perc(1) — str[0.0.4.4.4] | 23' |
| 1926 | Cardillac, op. 39 (complete opera) · opera · chorus | 2[1.2/pic] 2[1.eh] 4[Ebcl.cl.bcl.tsax] 3[1.2.cbn] — 1 2 2 1 — tmp+5 — pf — str[6.0.4.4.4] | 90' |
| 1926 | Konzertmusik für Blasorchester, op. 41 | 1[pic/fl] 0 5[Ebcl.cl.3] 0 — 2[2flhn] 2 3 2 — 3euph — perc(3) | 15' |
| 1927 | Hin und zurück, op. 45a (complete one-act operetta) · opera | 1 0 1 1[asax] — 0 1 1 0 — pf, pf(4 hands) | 12' |
| 1927 | Kammermusik No. 5 for Viola and Large Chamber Orchestra, op. 36 no. 4 | 1[fl/pic] 1 3[Ebcl.cl.bcl] 3[1.2.cbn] — 1 2 2 1 — str[0.0.0.4.4] | 18' |
| 1927 | Kammermusik No. 6 for Viola d'amore and Chamber Orchestra, op. 46 no. 1 | 1 1 2[1.bcl] 1 — 1 1 1 0 — str[0.0.0.3.2] | 19' |
| 1927 | Kammermusik No. 7 for Organ and Chamber Orchestra, op. 46 no. 2 | 2[fl.pic] 1 2[1.bcl] 3[1.2.cbn] — 1 1 1 0 — str[0.0.0.1.1] | 17' |
| 1929 | Lehrstück (didactic piece) · chorus | orch (str and/or winds, any strength) — Fernorchester: 2tpt.2flhn.2thn.2tbn.tba | 50' |
| 1929 | Neues vom Tage (News of the Day, complete opera) · opera · chorus | 2[1/pic.2/pic] 2[1.eh] 4[Ebcl.cl.bcl.asax] 3[1.2.cbn] — 1 2 2 1 — perc(4) — hp — pf, pf(4 hands) — str[6.0.4.4.4] | 110' |
| 1930 | Konzertmusik for Strings and Brass, op. 50 | 0 0 0 0 — 4 4 3 1 — str | 20' |
| 1930 | Konzertmusik für Klavier, Blechbläser und Harfen, op. 49 (Concert Music for Piano, Brass and Harps) | 0 0 0 0 — 4 3 2 1 — 2hp | 21' |
| 1930 | Konzertmusik für Solobratsche und größeres Kammerorchester, op. 48 (definitive version) | 2[1.pic] 2[1.eh] 2[1.bcl] 3[1.2.cbn] — 3 2 1 1 — str[0.0.0.4.4] | 19' |
| 1931 | Das Unaufhörliche (The Never-Ending, oratorio) · chorus | 3[pic.1.2] 2 2 2 — 3 2 2 1 — perc(1) — org(ad lib) — str | 85' |
| 1931 | Konzertstück for Trautonium and String Orchestra | solo trautonium — str | 11' |
| 1934 | Symphony “Mathis der Maler” | 2[1.2/pic] 2 2 2 — 4 2 3 1 — tmp+3 — str | 27' |
| 1935 | Der Schwanendreher | 2[1.2/pic] 1 2 2 — 3 1 1 0 — tmp — hp — str (no vn/va: 4 vc, 3 db) | 25' |
| 1936 | Trauermusik | str | 8' |
| 1937 | Symphonische Tänze (Symphonic Dances) | 2[1.2/pic] 2 2 2 — 4 2 3 1 — tmp+3 — str | 30' |
| 1938 | Mathis der Maler (complete opera) · opera · chorus | 2[1/pic.2/pic] 2 2 2 — 4 2 3 1 — tmp+3 — str | 180' |
| 1938 | Nobilissima Visione — Suite | 1[fl/pic] 1 2 1 — 2 2 1 0 — tmp+3 — str | 23' |
| 1938 | Nobilissima Visione (complete ballet) | 1[fl/pic] 1 2 1 — 2 2 1 0 — tmp+3 — str | 50' |
| 1939 | Concerto for Violin and Orchestra | 2[1.2/pic] 2 3[1.2.bcl] 2 — 4 2 3 1 — tmp+3 — str | 30' |
| 1940 | Symphony in E-flat | 3[pic.1.2] 3[1.2.eh] 3[1.2.bcl] 3[1.2.cbn] — 4 3 3 1 — tmp+3 — str | 36' |
| 1940 | Theme with Four Variations ("The Four Temperaments") | solo pf — str | 30' |
| 1943 | Cupid and Psyche (Amor und Psyche): Overture | 2[1.pic] 2 2 2 — 2 2 2 0 — perc(1) — str | 7' |
| 1943 | Symphonic Metamorphosis of Themes by Carl Maria von Weber | 3[pic.1.2] 3[1.2.eh] 3[1.2.bcl] 3[1.2.cbn] — 4 2 3 1 — tmp+3 — str | 22' |
| 1945 | Symphonic Metamorphosis of Themes by Carl Maria von Weber (concert band version, arr. Keith Wilson) | 3[pic.1.2] 3[1.2.eh] 7[Ebcl.1.2.3.acl.bcl.cbcl] 3[1.2.cbn] — 4sax[a.a.t.bar] — 4 5[2tpt.3crt] 3 1 — 1euph — tmp+3 — cb | 22' |
| 1946 | Symphonia serena | 3[pic.1.2] 3[1.2.eh] 3[1.2.bcl] 3[1.2.cbn] — 4 2 2 1 — tmp+4 — cel — str | 34' |
| 1946 | When Lilacs Last in the Door-Yard Bloom'd — A Requiem "For Those We Love" · chorus | 2 2 2 2 — 3 2 2 1 — tmp+perc — org — str | 63' |
| 1947 | Concerto for Clarinet and Orchestra | 3[1.2.pic] 2 0 2 — 2 2 2 0 — tmp+3 — str | 21' |
| 1949 | Concerto for Horn and Orchestra | 1[fl/pic] 2 2 2 — 0 0 0 0 — tmp — str | 15' |
| 1949 | Sinfonietta in E major | 2[1.pic] 2 2 2 — 3 1 2 1 — tmp+perc — cel — str | 21' |
| 1951 | Symphonie “Die Harmonie der Welt” | 2[1.2/pic] 2 3[1.2.bcl] 3[1.2.cbn] — 4 2 3 1 — tmp+5 — str | 34' |
| 1951 | Symphony in B-flat for concert band | 3[pic.1.2] 2 7[Ebcl.solo.1.2.3.acl.bcl] 2 — 4sax[a.a.t.b] — 4 6[solo crt.3crt.2tpt] 3 2 — 1euph — tmp+3 | 18' |
| 1957 | Die Harmonie der Welt (complete opera) · opera · chorus | 2[1.2/pic] 3[1.2.eh] 3[1.2.bcl] 3[1.2.cbn] — 4 2 3 1 — tmp+4/5 — hp — cel — str | 160' |
| 1958 | Pittsburgh Symphony | 2[1.2/pic] 3[1.2.eh] 3[1.2.bcl] 3[1.2.cbn] — 4 2 3 1 — tmp+4 — str | 26' |
| 1962 | Concerto for Organ and Orchestra | 2[1.2/pic] 2 2 3[1.2.cbn] — 2 2 3 1 — tmp+2 — cel — str | 28' |
Section counts include doubling players. Always confirm against the publisher's official parts list before contracting musicians or renting materials.