| 1865 | Suite No. 1, op. 13 | Confirmat | 23' |
| 1867 | La grand'tante (complete opera) · operă | Confirmat | 45' |
| 1871 | Suite No. 2 — Scènes hongroises | Confirmat | 18' |
| 1872 | Don César de Bazan (complete opera) · operă · cor | Confirmat | 110' |
| 1873 | Les Érinnyes — incidental music | Confirmat | 55' |
| 1873 | Marie-Magdeleine — drame sacré · cor | Confirmat | 120' |
| 1873 | Phèdre — Overture | Confirmat | 8' |
| 1873 | Suite No. 3 — Scènes dramatiques d'après Shakespeare | Confirmat | 19' |
| 1874 | Suite No. 4 — Scènes pittoresques | Confirmat | 16' |
| 1875 | Élégie for soloist & chamber orchestra | Confirmat | 6' |
| 1875 | Ève — mystère · cor | Confirmat | 60' |
| 1877 | Le roi de Lahore (complete opera) · operă · cor | Confirmat | 150' |
| 1878 | Suite No. 5 — Scènes napolitaines | Confirmat | 13' |
| 1880 | La Vierge — légende sacrée · cor | Confirmat | 90' |
| 1881 | Hérodiade (complete opera) · operă · cor | Confirmat | 125' |
| 1881 | Hérodiade: Il est doux, il est bon (original key, E-flat) | Confirmat | — |
| 1881 | Hérodiade: Vision Fugitive (baritone) | Confirmat | — |
| 1881 | Suite No. 6 — Scènes de féerie | Confirmat | 18' |
| 1882 | Suite No. 7 — Scènes alsaciennes | Confirmat | 23' |
| 1884 | Manon (complete opera) · operă · cor | Confirmat | 175' |
| 1884 | Manon, Act III: Je marche sur tous les chemins (soprano); Gavotte | nedet. | — |
| 1884 | Manon, Act V: Adieu notre petite table | nedet. | — |
| 1884 | Manon; Act II, La rêve: En fermant les yeux (tenor) | nedet. | — |
| 1885 | Le Cid — ballet suite | Confirmat | 18' |
| 1885 | Le Cid (complete opera) · operă · cor | Confirmat | 150' |
| 1889 | Esclarmonde (complete opera) · operă · cor | Confirmat | 160' |
| 1891 | Le mage (complete opera) · operă · cor | Confirmat | 130' |
| 1892 | Werther (complete opera) · operă · cor | Confirmat | 140' |
| 1892 | Werther: Pourquoi me reveiller | Confirmat | — |
| 1894 | La Navarraise (complete opera) · operă · cor | Confirmat | 45' |
| 1894 | Thaïs (complete opera) · operă · cor | Confirmat | 135' |
| 1894 | Thaïs: Méditation (Act II) | Confirmat | 5' |
| 1897 | Sapho (complete opera) · operă · cor | Confirmat | 180' |
| 1898 | Fantaisie for cello & orchestra | Confirmat | 14' |
| 1899 | Cendrillon — orchestral suite | Confirmat | 25' |
| 1899 | Cendrillon (complete opera) · operă · cor | Confirmat | 120' |
| 1900 | La Terre promise — oratorio · cor | nedet. | 90' |
| 1901 | Grisélidis (complete opera) · operă · cor | Confirmat | 120' |
| 1902 | Le jongleur de Notre-Dame (complete opera) · operă · cor | Confirmat | 75' |
| 1902 | Piano Concerto in E-flat major | Confirmat | 30' |
| 1905 | Chérubin (complete opera) · operă · cor | Confirmat | 110' |
| 1906 | Ariane (complete opera) · operă · cor | Confirmat | 165' |
| 1907 | Thérèse (complete opera) · operă · cor | Confirmat | 70' |
| 1909 | Bacchus (complete opera) · operă · cor | Confirmat | 120' |
| 1910 | Don Quichotte (complete opera) · operă · cor | Confirmat | 90' |
| 1912 | Roma (complete opera) · operă · cor | Confirmat | 130' |
| 1912 | Suite No. 9 — Suite parnassienne | nedet. | 25' |
| 1913 | Panurge (complete opera) · operă · cor | Confirmat | 105' |
| 1914 | Cléopâtre (complete opera) · operă · cor | Confirmat | 120' |
| 1914 | Suite No. 8 — Suite théâtrale · cor | Confirmat | 23' |
| 1922 | Amadis (complete opera) · operă · cor | Confirmat | 120' |
| — | Bacchus; Suite from the Ballet | nedet. | — |
| — | Cantique | nedet. | — |
| — | Crepuscule | nedet. | — |
| — | Esclarmonde; Suite | nedet. | — |
| — | Hérodiade; Ballet Music | nedet. | — |
| — | La Cigale; Suite | nedet. | — |
| — | Le Cid: O Souverain, o Juge | nedet. | — |
| — | Le Cid: Overture | nedet. | — |
| — | Le Cid: Pleurez! pleurez, mes yeux! | nedet. | — |
| — | Le Cid: Rhapsodie Mauresque | nedet. | — |
| — | Le Roman d'Arlequin | nedet. | — |
| — | Les Érinnyes; Suite | nedet. | — |
| — | Parade Militaire | nedet. | — |
| — | Roma: Overture | nedet. | — |
| — | Simple Phrase | nedet. | — |
| — | Thaïs: Ballet Music | nedet. | — |
| — | Valse Tres Lente | nedet. | — |