Compositor
1872–1958 · British
33 obras orquestales catalogadas — todas con instrumentación confirmada contra una fuente.
| Año | Obra | Instrumentación | Dur. |
|---|---|---|---|
| 1904 | In the Fen Country | 3[1.2.pic] 2[1.2] 2[1.2] 2[1.2] — 4 2 3 1 — tmp — hp — str | 14' |
| 1906 | Norfolk Rhapsody n.º 1 | 3[1.2.pic] 2[1.2] 2[1.2] 2[1.2] — 4 2 3 1 — tmp+perc — hp — str | 11' |
| 1907 | Toward the Unknown Region · coro | 3[1.2.pic] 2[1.2] 2[1.2] 2[1.2] — 4 2 3 1 — tmp+perc — hp — str | 13' |
| 1909 | A Sea Symphony (Symphony n.º 1) · coro | 3[1.2.pic] 3[1.2.eh] 3[1.2.bcl] 3[1.2.cbn] — 4 3 3 1 — tmp+perc — 2hp — org — str | 70' |
| 1909 | The Wasps — Aristophanic Suite | 2[1.2] 2[1.2] 2[1.2] 2[1.2] — 4 2 3 1 — tmp+perc — hp — str | 25' |
| 1910 | Fantasía sobre un tema de Thomas Tallis | double str orch + solo quartet | 16' |
| 1914 | A London Symphony (Symphony n.º 2) | 3[1.2.3/pic] 3[1.2.eh] 3[1.2.bcl] 3[1.2.cbn] — 4 4[2tpt.2crt] 3 1 — tmp+3 — hp — str | 43' |
| 1920 | La alondra ascendiendo | 2 1 2 2 — 2 0 0 0 — +1[tri] — str | 15' |
| 1922 | A Pastoral Symphony (Symphony n.º 3) | 3[1.2.pic] 3[1.2.eh] 2 2 — 4 3 3 1 — tmp+perc — hp — str | 35' |
| 1923 | English Folk Song Suite (banda militar) | 2[pic.fl] 2 7[Ebcl.solo.1.2.3.acl.bcl] 2 — 4sax[a.t.b.bs/cbcl] — 4 5[3crt.2tpt] 3[2.btbn] 1 — 1euph — tmp+3 | 11' |
| 1923 | English Folk Song Suite (versión orquestal) | 2[1.2] 2[1.2] 2[1.2] 2[1.2] — 4 2 3 1 — tmp+perc — str | 11' |
| 1924 | Tocata Marziale (banda militar) | 2[pic.fl] 2 7[Ebcl.solo.1.2.3.acl.bcl] 2 — 4sax[a.t.b.bs/cbcl] — 4 5[3crt.2tpt] 3[2.btbn] 1 — 1euph — tmp+3 — cb | 5' |
| 1925 | Concierto Accademico (Concierto para violín en re menor) | str | 15' |
| 1925 | Flos Campi · coro | 1[1.pic] 1 1 1 — 1 1 0 0 — perc — cel — str | 20' |
| 1930 | Job: A Masque for Dancing | 3[1.2.pic] 2[1.2] 3[1.2.bcl] 3[1.2.cbn] — 4 3 3 1 — tmp+perc — 2 hp — str | 45' |
| 1931 | Concierto para piano en do mayor | 3[1.2.pic] 2[1.2] 2[1.2] 2[1.2] — 4 3 3 1 — tmp+perc — str | 24' |
| 1934 | Fantasía sobre Greensleeves | 2[1.2] 0 0 0 — hp — str | 4' |
| 1935 | Sinfonía n.º 4 en fa menor | 3[1.2/pic.3] 3[1.2/eh.3] 3[1.2.bcl(opt)] 3[1.2.cbn(opt)] — 4 2 3 1 — tmp+2 — str | 32' |
| 1936 | Dona nobis pacem · coro | 3[1.2.pic] 2[1.2] 2[1.2] 2[1.2] — 4 3 3 1 — tmp+perc — hp — str | 38' |
| 1938 | Preludio on Rhosymedre | 2[1.2] 2[1.2] 2[1.2] 2[1.2] — 2 0 0 0 — str | 5' |
| 1938 | Serenata to Music | 2[1.2/pic] 2[ob.eh] 2 2 — 4 2 3 1 — tmp+1 — hp — str + solo vn + 16 solo voices | 14' |
| 1939 | Five Variants of Dives and Lazarus | hp — str | 13' |
| 1943 | Sinfonía n.º 5 en re mayor | 2[1.2/pic] 2[ob.eh] 2 2 — 2 2 3 0 — tmp — str | 40' |
| 1944 | Concierto para oboe en la menor | str | 20' |
| 1947 | Sinfonía n.º 6 en mi menor | 3[1.2.pic] 2 2 2 — 4 3 3 1 — tmp+perc — hp — sax — str | 32' |
| 1948 | Partita para Double orquesta de cuerda | str | 20' |
| 1949 | Fantasía sobre the Old 104th Psalm Tune · coro | 3[1.2.pic] 2[1.2] 2[1.2] 2[1.2] — 4 3 3 1 — tmp+perc — hp — str | 16' |
| 1950 | Concierto grosso para orquesta de cuerda | str | 17' |
| 1951 | The Pilgrim's Progress (complete Morality in a prologue, cuatro actos and an epilogue) · ópera · coro | 2[1.2/pic] 2[1.2/eh] 2 3[1.2.cbn(opt)] — 4 2+2(stage, opt) 3 1+euph(opt) — tmp+3 — hp cel(opt) — str | 130' |
| 1952 | Sinfonia antartica (Symphony n.º 7) · coro | 3[1.2.pic] 3[1.2.eh] 3[1.2.bcl] 3[1.2.cbn] — 4 3 3 1 — tmp+perc — hp — org — cel — str | 40' |
| 1954 | Concierto para tuba en fa menor | 2[1.2] 2[1.2] 2[1.2] 2[1.2] — 2 2 3 0 — tmp+perc — str | 14' |
| 1955 | Sinfonía n.º 8 en re menor | 2[1.2/pic] 2 2 2 — 2 2 3 1 — tmp+perc — hp — cel — str | 28' |
| 1957 | Sinfonía n.º 9 en mi menor | 3[1.2.pic] 2 2 2 — 4 3 3 1 — tmp+perc — hp — sax — flugelhorn — str | 34' |
Los recuentos por sección incluyen a los instrumentistas que doblan. Confirme siempre contra la lista oficial de partes de la editorial antes de contratar músicos o alquilar materiales.